镜子

三频录像&空间装置,5分钟,尺寸可变

“镜子里装满了人，不为所见的人，望着我们。被遗忘的人，记着我们。我们看到自己，也看到了他们。我们离去时，他们是否也离去？”艺术家摘自乌拉圭作家加莱亚诺重构世界史著作《镜子》的开篇语，将“剧场”作为社会艺术实践的方法，通过招募民众排演，让剧场与现实在当下交会合一，尝试通过对普通民众的艺术培力进而去捕捉这座城市的问题和矛盾所在。《镜子》在集体性的“焦虑”底色上，探讨我们在社会中自处的生存状态，试图通过这些梦呓，使观者暂时脱离此刻的现实，进入对他者的观看之中，进入一种集体臆想的状态。

Mirrors

Three-channel video & spatial installation, 5 minutes, dimension variable

“Mirrorsare filled with people. The invisible see us. The forgotten recall us. When we see ourselves, we see them. When we turn away, do they?” This is from the beginning of the famous book Mirrors:Stories of Almost Everyone, which rebuilds a history of the world by Eduardo Galeano, an Uruguayan writer. It inspired WangZiyue tocombine performance and reality, and to catch the problems and contradictions of the city through the artistic training of the participants . Based upon the collective anxiety we are undergoing, Mirrorsreflects our life status in this society. The sleep talking will make the viewers detach from reality and enter into a gaze at the Other, a state of collective imagination.