镜子

三频录像&空间装置，5分钟，PVC管搭建结构、广角镜现成品数件，尺寸可变

“镜子里装满了人，不为所见的人，望着我们。被遗忘的人，记着我们。我们看到自己，也看到了他们。我们离去时，他们是否也离去？” 王子月摘自乌拉圭作家加莱亚诺重构世界史著作《镜子》的开篇语，将“剧场”作为社会艺术实践的方法，通过招募民众排演，让剧场与现实在当下交会合一，尝试通过对普通民众的艺术培力进而去捕捉这座城市的问题和矛盾所在。《镜子》在集体性的“焦虑”底色上，探讨我们在社会中自处的生存状态，试图通过这些梦呓，使观者暂时脱离此刻的现实，进入对他者的观看之中，进入一种集体臆想的状态。 

Mirrors

three-channel video & spatial installation, PVC pipe structure and wide-angle lenses, 5 minutes, dimension variable

“Mirrors are filled with people. The invisible see us. The forgotten recall us. When we see ourselves, we see them. When we turn away, do they?” This is a quote from the book Mirrors: Stories of Almost Everyone by Eduardo Galeano, a Uruguayan writer that I admire."Theater" is regarded as a method of social art practice. By recruiting the public to rehearse, theater and reality can be integrated in the present, trying to capture the problems and contradictions of the city through the art training of ordinary people.Based upon the collective anxiety that we are undergoing, Mirrors discusses how we deal with the society. These dream talks will make the viewers detach from the reality and gaze at others, entering a state of collective imagination.