世事恰如溪流

剧场表演，25分钟

三频录像&声音装置数件，20分钟&尺寸可变

“问题剧场”深圳站把在深圳公开招募的20到60多岁的八名参与者汇集在一起，他们来自全国不同省市，在深圳生活时间也长短不一，但都是“来了就是深圳人”。王子月试图呈现一个由“速度”为中心向四周扩散的同心圆的关系模型，通过六场剧场工作坊，围绕“深圳速度”等关键词的扩散，面向自我、他人、深圳提出近千个问题，最终形成剧场表演和展厅内呈现同名三频录像装置--“世事恰如溪流”。在一次次的推进中，是向内的思索，也是对周遭生活的发问。 

The Things Streaming

Performance, 25 min

Three-Channel Video & Sound Installation, 20 min & dimension variable

The Shenzhen station of the "Question Theater" brings together eight participants (aged 23-62) from local open recruitment. They come from different provinces and cities across the country and have lived in Shenzhen for different lengths of time, but they are all "Shenzhen people when they come". Ziyue Wang tried to present a relationship model of concentric circles spreading from "speed" as the center.Through six theater workshops, she guided participants to ask nearly a thousand questions for self，others and Shenzhen around the key words "Shenzhen speed". and finally formed a theater performance and a three-channle video & installation with the same name -- "The Things Streaming". In the push again and again, is to think inward, but also to the life around the question.