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    Art Project at the Site of Zhuantang Dismantling Area(2012.4-2014.9)

     

    Project overview:


    “Art Project at the Site of Zhuantang Dismantling Area” is a participatory art project initiated by Wang Ziyue which is a combination of young artists working in Zhuantang Town, Hangzhou. This project aims to promote young artists to participate more actively and explore practical issues in the public domain.During the creative process, the artist constantly pays attention to、thinks and discuss how to adhere to the complex and in-depth ideology into the demolition, how to relate to the local residents and the local ecological environment, how to retell and activate the demolition of the waste market , etc. At the same time, I hope that this is a linked action. In the process, people from different identities can be joined to imagine, go through production, and practice a reproduction of a different relationship.

       The program will be completed from April 2012 to September 2014 and has completed six activities. Respectively, the“demolition of the screening conference”、the third phase of the “Art Project at the Site of Zhuantang Dismantling Area”、"GiveBus"、the social theater is " Floating Life in Crevice ",and three series of seminars on“Art Project at the Site of Zhuantang Dismantling Area” .


    The project is divided into 5 parts


    A “Demolition of the screening conference”(2012.8.9-2014.8.9)

    Theme: The project is a long-term projection program. artists are required to complete the creation of documentary or experimental video based on the demolition phenomenon that is taking place across the country. The project will reflect the dissimilar demolition phenomenon of the artists to the public through different video works.

    Cruator:WangZiyue

    Participants: Yi Lian, Lu Shan, Wang Ziyue, Yang Wu, Miu Xiaohui, Kou Luyang, Xia Mu ,Lu Yuanjion, Zhu Changquan


    B the third phase of the “Art Project at the Site of Zhuantang Dismantling Area ”(2012.4-2012.11,Resident project)


    No.1 (2012.4.11)

    Theme: Public events that occur within a day. Participating artists enter the two adjacent houses in the in the demolition houses. A life theater that co-interprets.

    Cruator:WangZiyue,SunXiaole

    Participants: Tan tao, Xia Hongfei, Zhang Xiang, Wang Chao, Wu Han, Guo Houtong, Sun Xiaole, Wang Ziyue, Yin Ailing,Chen Si,Yi Lian, Pan Ying


    No.2(2012.5.1-5.21)

    Theme: A change in a demolition block within a month. Participants were grouped by three people, Select a demolition house in this block for a month-long resident creation.

    Cruator:WangZiyue ,SunXiaole

    Participants: Tan tao, Xia Hongfei, Zhang Xiang, Wang Chao, Wu Han, Guo Houtong, Sun Xiaole, Wang Ziyue, Chen Si, Yi Lian, Pan Ying, Cheng Tao, Chen Junlong , Zhang Peng, Kou Luyang, Tan Bin, Yin Ailing, Liu Xiao,Wang Tianxin,Xu Liang,Li Lun,Glenis Poul


    No.3(2012.11.11-11.18)

    Theme: “Reuse” of the demolition area. Participants from different industries have different interpretations on “reuse” of demolition ruins.

    Cruator:WangZiyue

    Participants: Chen Sunwan, Chen Maomin, Cui Yi, Liu Xiao、Wang Ziyue, Wang Man、Wu Han, Guo Houtong, Huang Liang Peng, Huang Songhao, Hu Weiyi, Liu Xiu, Liu Bowen, Pan Ying, Yang Qingqing, Zhu Changquan, HanaKucharovicova,Glenis Poul,Carolyn Chen


    C “Give Bus”(2013.3.16-9.16) (continuous public option)

    Theme: Inspired by the “Occupy House Movement” that emerged in Berlin in the 1970s, it was independently stationed in the demolition building and proposed the possibility and application of its transformation. During the six-month resident creation period, there are many possibilities for “recycling” a nail house demolition building with “history”.

    Cruator:WangZiyue

    Participants: Liu Xiao,Ruan Huaijun ,Tan Tao ,Zhang Lin,Wang

    Ziyue ,Sun Xiaole,Yang Fan,Ye Si ,Cao Shu,Li Lan, Li Yanjun ,Zhang Zhengan,Huang Chang ,Liu Tian,Jia Hongyu


    D Social theater “ Floating Life in Crevice " (2014.3-2014.6)


    Theme: I invited a group living in buildings awaiting demolition to re-enact their lives in fact this is not “acting”, this is them doing what they do in everyday life: going to work during the day, chatting after dinner, keeping accounts at night. This building has three floors with three rooms each, and each room becomes a stage. They treat the building as a way station, rehearsing their lives in each room, taking turns to perform. Aside from documentary-like sections, the video also contains rooms that can only be peeked into. Through the peephole, only abstract forms of touch, sound, shadows and crawling, in all their theatricality, can be seen. These anonymous individuals take on a more secretive state within the private space.

       Those who have left the countryside carry about their unfamiliar urban life in a way that is neither of the city nor of the village. They are constantly changing between different areas of labor, wandering inside and outside the factory, getting smothered by information from mass media, adding in all kinds of new experiences and forging together some from of social life in a period of transition between the city and the countryside.

    Director:Wang Ziyue

    Deputy director : Wang Yixuan

    Photography : Cheng Yi ,Zhang Haishen

    Set:Li Kejin,Liu Xiao,Lin Junjie,Luo Lei,Lu Ruiyang

    Clip:Wang Ziyue

    Sound: Cai Huiyi,Yan Keke

    Actors: Shen Guangying,Chen Shenghui,Chen Meifeng,Wang Shanjun,Wang Jiangang,Yi Lian,Luo Lei,Sun Yang


    E "Demolition Theme" Socially Engaged Art Practice Seminar


    a 、Art Project at the Site of Zhuantang Dismantling Area Review + Note + Discussion ( 2014.9.12,AMNUA )

    Discussion outline reference:

    I : Hangzhou

    Feedback and discussion on the "Art Project at the Site of Zhuantang Dismantling Area";

    People's stereotypes about the ruins of demolition in the development of urbanization (homesickness, nostalgia, demolitions, etc.);

    The two sides of the demolition , aware of the "public land dilemma";

    What are the contradictions in the demolition, and the specific contradictions in specific circumstances;

    How to enter a demolition discussion with a complex and in-depth ideology?;

    The bottom layer is concerned.

    II: Nanjing

    Nanjing case, the focus, the possibility of artistic intervention.

    "Capital Plan", demolition, history and plan in Nanjing "Topography / Map / Google Map".

    Slower, lower, and weaker – the art of urban demolition?

    III: Society

    The role transfer of public art/art gallery space in social space

    Discuss the possibility of “reuse” the demolition ruins.

    When art is involved in social space, it may trigger a situation.

    Can art “reform” our community?


    Participators:Cao Kai,Huang Bingliang(Nanjing Wealth investment group & Nanjing Brood Cultural Investment Corporation),Jiang Shu(Art Monthly) ,Ji Peng+Ma Chong(Public Art Dp. Of NUA&Duo Zan),Richard Kuan(USA) ,First Floor(Nanjing, China), Liu Lin( Sifang Art Museum ) ,Ma Li(GART),Peng Lezhong,Sun Jianchun,Sun Wenchuan(Nanjing Broadcasting and TV station), Sun Xiaole,Tan Tao,Wang Ziyue,Xue Wenwen(NUA) ,Yi Lian,Zhao Xiaofeng(School of Public Administration Hohai University), Zhang Guifang(Nanjing Software Valley Investment Cooperation Bureau)


    b、Donghu Art Project Lecture Series “Art Project at the Site of Zhuantang Dismantling Area” (2014.8.30, Wuhan“ Womenjia ”Youth Autonomy Lab)

    Theme: Sharing the planning and creative experience of the six activities of the Rehabilitation Area Relocation Area from April 2012 to June 2014, and some thoughts on this. Lectures and discussions were held in the "Our Home" Youth Autonomy Lab. Prince Yue and the artist group Li Juchuan from Wuhan and Taiwanese artist Qiu Junda carried out the five-hour theme of the art intervention on the social scene of "demolition". intense discussion.


    c 、Dinghai Tan 003 in Shanghai : ““Art Project at the Site of Zhuantang Dismantling Area”” (2015.8.21 Dinghai Bridge Mutual Aid Society, Yangpu District, Shanghai)

    Theme: Through the sharing of the ““Art Project at the Site of Zhuantang Dismantling Area” in the work of Zhuantang (Hangzhou),and the context that continues today, discuss community-related practices, how to use the functions of our current social interface to transform and transship.

    Participators: Chen Yun, Zhao Yiren, Zhou Xin, etc.




        “Art Project at the Site of Zhuantang Dismantling Area” was planned and implemented in April 2012. At present, the six activities have been completed, with a total of 60 artists involved, and over 100 works have been created, including installations, photography, experimental videos, documentaries and multimedia theaters.The participating artists bring their problems of the current society and the demolition site into their respective lives and creations through the demolition area.During this activity, the participants either enlighten each other, or self-organize until they reach their destinations. Participants entered the ruins of the demolition area, or reconstruct their imagination of the past through various forms of artistic creation, or reflect on the impact of blind development and over-modernization on individual memory.In the future, I hope to continue to focus on more complex and diversified social issues. Based on our historical coordinates, I try to make a broader and in-depth discussion and creation of public life based on the historical view and horizontal geography.


    Process demonstration:

    2014.11 The 10th Shanghai Biennale ,Wang Ziyue’s work < Floating Life in Crevice > ,Power Station of Art ,Shanghai

    2014.9 Art Project at the Site of Zhuantang Dismantling Area Review + Note + Discussion, AMNUA,Nanjing

    2013.1 Greenbox Remapping-The Space of Media Reality , Tianhong Mei Heyuan Arts Center, Hangzhou


    Artists:

    Sun Xiaole、Wang Ziyue、Chen Si、Yi Lian、Pan Ying 、Tan Tao、Xia Hongfei、Zhang Xiang、Wang Chao、Wu Han、Guo Houtong、Cheng Tao、Wang Tianxin、Xu Liang、Chen Junlong、Zhang Peng、Kou Luyang、Tan Bin、Yin Ailing、Liu Xiao、Jia Hongyu、Wang Yixuan、Cai Huiyi、Chen Sunwan、Chen Maomin、Lu Shan、Yang Wu、Hu Weiyi、Liu Xiu、Liu Bowen、Huang Songhao、Yang Qingqing、Zhu Changquan、Miu Xiaohui、Cui Yi、Wang Man、Huang Liangpeng、Xia Mu、Lu Yuanjiong、Ruan Huaijun、Zhang Lin、Yang Fan、Cao Shu、Liu Tian、Li Lan、Li Yanjun、Zhang Zhengan、Huang Chang、Hana Kucharovicova、Glenis Poul、Carolyn Chen

    转塘拆迁区驻地创作计划(2012.4-2014.9)

     

    计划概述:


       “转塘拆迁区驻地创作计划”是由王子月策划发起的一个集合了年轻艺术家于杭州转塘镇共同实践的参与性艺术计划,旨在推动年轻艺术家更积极主动地参与、探讨公共场域中的现实问题。艺术家在创作过程中不断关注、思索、探讨如何秉持复杂且深入的意识形态进入拆迁,如何与当地居民、当地生态环境发生关系,如何重述、激活拆迁废墟等。同时也希冀这是一场连结的行动,能在过程中,发动不同身份背景的民众加入,经由不同的方式去想像,去生产,去实践一种差异关系的再生产。

       该计划于2012年4月始至2014年9月结束,已实施完成六次活动,分别是“拆了放映会”、三期的“转塘拆迁区驻地创作计划”、 “GiveBus”、社会剧场《罅隙浮生》,以及三场“转塘拆迁区驻地创作计划”系列讨论会。




    转塘拆迁区驻地创作计划分五部分:

    A “拆了放映会”(2012.8.9-2014.8.9)


    主题:一项长期的放映计划。以全国各地正在发生的拆迁现象为素材,完成纪录片或实验影像等的创作,放映会通过不同的影像作品将艺术家眼中不一样的拆迁现象投映给大众。

    策划人:王子月

    参与艺术家:易连、卢珊、王子月、杨伍、缪晓辉、寇路阳、夏木、卢元炯、朱昶全




    B 转塘拆迁区驻地创作计划 三期(2012.4-2012.11,驻地创作)


    第1期(2012.4.11)

    主题:一天内的公共事件。参与人进驻到两栋相邻的拆迁房,于一天内共同“演绎”的生活剧场。

    策划人:王子月 孙晓乐

    参与艺术家:谭涛 夏宏飞 张翔 王超 吴憾 郭厚同 孙晓乐 王子月 尹爱灵 陈思 易连 潘颖



    第2期(2012.5.1-5.21)

    主题:一条拆迁街区一个月内的变化。参与人以三人为一组,对此街区的一栋拆迁房进行为期一个月的驻地创作。

    策划人:王子月、孙晓乐

    参与艺术家:谭涛、夏宏飞、张翔、王超、吴憾、郭厚同、孙晓乐、王子月、陈思、易连、潘颖、程涛、陈俊龙、张鹏 、寇路阳、谭彬 、尹爱灵、刘晓、王天信、许亮、李论、Glenis Poul



    第3期(2012.11.11-11.18)

    主题:拆迁区的“再利用”。来自不同行业的活动参与人对拆迁废墟“再利用”不同的解读。

    策划人:王子月

    参与艺术家:陈孙莞、陈茂民、崔译、刘晓、王子月、王满、吴憾、郭厚同、黄梁鹏、黄淞浩、胡为一、刘秀、刘博文、潘颖、杨青青、朱昶全、HanaKucharovicova、Glenis Poul、Carolyn Chen




    C “Give Bus”(2013.3.16-9.16)(延续性的公共方案)


    主题:从70年代柏林兴起的“占屋运动”引发的灵感,自主进驻拆迁楼,提出对其改造可能和应用可能。为期半年驻地创作期,对一座有“历史”的钉子户拆迁楼“再利用”的N种可能性。

    策划人:王子月

    参与艺术家:刘晓、阮怀俊、谭涛、张林、王子月、孙晓乐、杨帆、叶斯、曹澍、李岚、李雁军、张峥安、黄畅、刘畑、贾宏宇




    D 社会剧场《罅隙浮生》(2014.3-2014.6)


    主题:我邀请了一群生活在待拆迁的房屋周围的人们来出演各自的生活,其实并不在于“演”,而是直接就像日常生活中那样去做:白天打工,饭后聊天,晚上记账。这栋 待拆迁的房屋一共三层,每层三个房间,而每一个房间都将作为一个舞台。将此处作为驿站的人们,在各个房间中排练各自的生活,并各自轮番上演。除了颇具纪录 片感的部分外,影像中还包含几个只能去窥伺的房间。从猫眼中,只能看到更具有舞台感的抽象的摸、听、影、爬等形式,这些匿名的个体,在私人空间中是更为隐 秘的状态。离开土地后的人们,以既非城市又非农村的方式,经营着自己陌生的城镇生活,在劳动场域之间不断转换,工厂里和工厂外游移,被大众媒体信息掩盖着 的一切新经验共同塑造着当下城乡过渡时期的社会生活。

    导演:王子月

    副导演:王艺璇

    摄 影 :程艺 、张海深

    道 具:李克进 、刘 晓、林俊杰 、罗雷、卢睿阳

    剪 辑 :王子月

    声 音:蔡惠仪、严可可

    演员表 :沈光英、陈盛辉 、陈美凤 、王善军 、王建刚 、齐柏成、易 连、罗 雷 、孙 杨




    E “拆迁主题”社会参与式艺术实践讨论会


    a 、转塘拆迁区驻地创作计划—活动回顾+策划批注+讨论会(2014.9.12 南京艺术学院美术馆)


    讨论提纲参考:

    第一部分,杭州

    转塘拆迁区驻地计划的反馈和讨论。

    人们对城市化发展中拆迁废墟的刻板印象(乡愁、怀旧感、强拆等等)。

    拆迁的两面性(不同角度看拆迁),意识到“公地困局”

    拆迁中的矛盾点到底为何,具体情况下的具体矛盾。

    如何秉持复杂且深入的意识形态进入拆迁讨论?

    底层关注。

    第二部分,南京

    南京案例,关注点,艺术介入的可能性。

    《首都计划》,南京“地形学/地图/google地图”中的拆迁,历史与方案。

    更慢、更低、更弱——城市拆迁的艺术方案?

    第三部分,社会

    社会空间中的公共艺术/美术馆空间的角色转移

    谈论拆迁废墟“再利用”的可能性。

    当艺术介入社会空间内,可能会引发的状况。

    艺术能否“改造”我们的社区?


    讨论会参与人:曹恺、黄炳良(南京财富集团&布罗德文化投资有限公司)、姜姝(《画刊》)、季鹏+马翀(南京艺术学院设计学院公共艺术专业&《多攒》)、管钧(美国)、华茂一楼(南京)、刘林(四方当代美术馆)、马莉(金鹰当代艺术空间),彭乐忠(鼓楼区拆迁公司)、孙建春、孙文川(南京广播电视台《南京新闻》)、孙晓乐、谭涛、王子月、薛问问(南京艺术学院)、易连、赵小风(河海大学公共管理学院)、张桂芳(中国南京软件谷招商合作局)


    b 、东湖艺术计划讲座系列之“转塘拆迁区驻地创作计划”(2014.8.30,武汉“我们家”青年自治实验室)


    主题:分享转塘拆迁区驻地创作计划自2012年4月至2014年6月间六次活动的策划和创作经验,以及对此的一些思考。讲座与讨论在“我们家”青年自治实验室连续进行,与来自武汉的艺术家群体李巨川等人和台湾艺术家邱俊达进行关于“拆迁”这一社会现场引发的艺术介入为主题,进行激烈讨论,历时五小时。
          

    c、上海定海谈003期:“转塘拆迁区驻地创作计划”(2015.8.21上海杨浦区定海桥互助社)


    主题:通过分享“转塘拆迁区驻地创作计划”在杭州转塘镇的工作以及延续到今天的脉络,讨论与社区相关的实践,如何发挥我们现在社会接口上转换和转运的功能。

    讨论参与人:陈韵、赵伊人、周昕等人






       “转塘拆迁区驻地创作计划”于2012年4月开始策划实施,目前完成的六场活动,参与人数共计60人次,创作作品累计达百余件,包含装置、摄影、实验影像、纪录片及多媒体剧场等。参与艺术家通过拆迁区这一场域,将各自对当下社会和拆迁现场的问题带入各自的生活和创作中。在这段旅程中,或相互启发,或自我梳理,直至到达各自的目 的地。在活动中,年轻艺术家们进入拆迁区废墟之中,通过各种艺术创作形式,或重建对过去的想象,或反思盲目开发、过度现代化对于个体记忆的影响。未来,希望能继续将目光投向更加复杂与多元的社会问题,基于我们的历史坐标,试图以时间的纵向与地理的横向为参考,对公共生活进行更加广泛、深入的讨论和创作。



    过程展示:
    2014.11 第十届上海双年展 ,王子月社会剧场作品《罅隙浮生》的展映 (上海当代艺术博物馆,上海)
    2014.9 转塘拆迁区驻地创作计划—活动回顾+策划批注( 南京艺术学院美术馆,南京)
    2013.1 绿盒子·重绘形貌:媒体现实的空间 ,特别单元“转塘拆迁区驻地创作计划” (杭州天鸿美和院艺术中心,杭州)


    历期参与艺术家:

    孙晓乐、王子月、陈思、易连、潘颖、谭涛、夏宏飞、张翔、王超、吴憾、郭厚同、程涛、王天信、许亮、陈俊龙、张鹏、寇路阳、谭彬、尹爱灵、刘晓、贾宏宇、王艺璇、蔡惠仪、陈孙莞、陈茂民、卢珊、杨伍、胡为一、刘秀、刘博文、黄淞浩、杨青青、朱昶全、缪晓辉、崔译、王满、黄梁鹏、夏木、卢元炯、阮怀俊、张林、杨帆、曹澍、刘畑、李岚、李雁军、张峥安、黄畅、Hana Kucharovicova、Glenis Poul、Carolyn Chen



    活动详情:


    转塘拆迁区驻地创作计划 微博 👈点击进入微博,了解活动详情。(2012.4.27-2015.5.20)

    王子月 定海桥座谈会| 转塘拆迁区驻地创作计划 👈点击进入座谈记录,了解活动详情