世事恰如溪流 （剧场影像版）

剧场版三频录像，13分钟

2024

2022年秋，我在深圳公开招募了八位年龄从23到62岁不等的普通工作者参与到本次剧场表演，他们来自全国不同的省市，在深圳生活的时间也不尽相同，但在“来了就是深圳人”的号召下，大家都是“新深圳人”。通过六场剧场工作坊，我试图呈现一个以“速度”为中心向四周扩散的同心圆的关系模型，藉由“深圳速度”之问回望、触动、联结、确认并启发，引导八位参与者面向自我、他人、深圳提出近千个问题，将个人经验问题化，以此显映当下的时代境况与美学行动的潜能。

The Things Streaming

Three-channel video（live version）, 13 minutes

2024

In the autumn of 2022, I conducted a public recruitment process in Shenzhen, selecting eight ordinary workers aged between 23 and 62 to participate in a theatrical performance. These individuals hailed from diverse provinces and cities across China and had resided in Shenzhen for varying periods. Under the ethos of “You are aShenzhener once you come to Shenzhen”，they were collectively identified as "New Shenzhener". Through a series of six theater workshops, I endeavored to construct a concentric circle relationship model centered on the concept of "speed" . This model aimed to explore the phenomenon of "Shenzhen speed" by prompting reflection, connection, confirmation, and inspiration. The workshops facilitated the formulation of nearly a thousand questions by the participants, directed at themselves, others, and the city of Shenzhen. By converting personal experiences into inquiries, the work illuminated the contemporary context and the potential for aesthetic action.